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Quick Guide To Student Websites (4th Edition)

RRP $16.99

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Resources starting at page 49 are from experts who have experience in the use of projects. Those projects can be displayed in portfolios.This presentation is available in person. Call (954) 646 8246 and we'll show you what your teachers could do with their students. If you prefer, we can guide your teachers by phone...no charge. The aim is to get more schools using portfolios. Free ebook TinyURL.com/sunportfolios5Tony Wagner (Harvard University, author of books about innovations in education) put it simply: The world doesn't care about what students know. It wants to see what students have done with what they have learned.Students at High Tech High put their work on display. Your school could do better: Add links to video presentations by your students explaining their work. I want to hear the students at High Tech High describing the process that they went through. Their portfolios are flat, two-dimensional, and static. Even the best digital portfolios simply sit there on the screen, waiting to be read. Why not add a video link so that future employers and college admission officers can hear the voices of your students? Why not "one-up" the High Tech High standard for Digital Portfolios?We look forward to searching your school's website and finding a link to Digital Portfolios ("a list of websites made by our students")We want to see what your teachers and students do with this idea. You can get this book summarized on YOUTUBE by going to TinyURL.com/sunTonyWagner


A Jacobean Company And Its Playhouse

RRP $267.99

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Eva Griffith's book fills a major gap concerning the world of Shakespearean drama. It tells the previously untold story of the Servants of Queen Anna of Denmark, a group of players parallel to Shakespeare's King's Men, and their London playhouse, The Red Bull. Built in vibrant Clerkenwell, The Red Bull lay within the northern suburbs of Jacobean London, with prostitution to the west and the Revels Office to the east. Griffith sets the playhouse in the historical context of the Seckford and Bedingfeld families and their connections to the site. Utilising a wealth of primary evidence including maps, plans and archival texts, she analyses the court patronage of figures such as Sir Robert Sidney, Queen Anna's chamberlain, alongside the company's members, function and repertoire. Plays performed included those by Webster, Dekker and Heywood - entertainments characterised by spectacle, battle sequence and courtroom drama, alongside London humour and song.



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